P, L, 😊& S
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And that was that.
- Dave Bad Person
P, L, 😊& S
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And that was that.
- Dave Bad Person
The excerpts in this blog post are quoted from the following web page:
https://sites.google.com/site/ernie124102/ct-1
Political conspiracy theories are usually the most intricate. They arise most often when the "official version” of events seems inadequate, flawed, or incomplete, and these situations present an opportunity for all sorts of bizarre and facile "explanations"
However, the entire purpose of most political conspiracy theories is NOT to carefully present evidence and then use reason and logic to arrive at sound, verifiable conclusions. Instead, most political conspiracy theories are primarily an intellectual device by which individuals and organizations identify and demonize their perceived enemies whom they propose to vanquish.
The substantive content of a political conspiracy theory is often completely irrelevant to the underlying purpose of the theory and, in any event, there is no possible way to refute or disprove most such theories to the satisfaction of their authors or adherents because most political conspiracy theories are constructed to be self-sealing so that contradictory data can be instantly dismissed, ignored, or de-valued. The reason is because the theory functions as a problem-solving device but the actual “problem” has virtually nothing to do with the details regarding people and events which are part of the conspiratorial narrative.
The actual “problem” which political conspiracy theories seek to address is explaining one’s sense of impotence, i.e. providing plausible reasons for why one’s values, ideas, policy preferences, and political candidates seem to be repeatedly ignored, disparaged, violated, or defeated, particularly over long periods of time. Consequently, the conspiracy theory expresses the rage felt when a person perceives himself or his group as persistent “losers” in all matters of importance.
Therefore, the conspiracy theory functions as a “rolodex” of people and organizations who should not be permitted to have a place at the table, because “they” despoil our country, “they” defile its true values, and “they” plan to rob us of our heritage and “they” seek to make impotence a permanent feature of our lives.
That’s the reason why a political conspiracy theory can never be refuted, because it does not rely upon the individual facts, assertions, or conclusions which make up the literal text of the theory. Instead, it is a primal scream against perceived villains whom are thought to have ruined our society or whom are working toward destroying our individual sovereignty.
Conspiracy theories are usually authored by persistent losers in public policy debates to account for why those persons are frustrated and seemingly impotent to affect public policy decisions and elections over long periods of time.
Anger and frustration is a normal human response to feelings of endless impotence. Conspiracy theories "solve" the underlying problem by explaining WHY one perceives oneself as powerless, disrespected, unappreciated, and ignored. It’s really very simple, malevolent powerful beings, working in secret, are responsible.
Conspiracy authors almost never concede even the hypothetical possibility that their paradigm might be flawed in some fundamental respect. Furthermore, conspiracy authors/researchers don't simply allege that a critic or skeptic is mistaken in their viewpoint. Instead, they almost always assert that critics or skeptics facilitate the success of evil cabals who consciously are working to destroy our way of life.
In short, conspiracy believers proclaim that their interpretation is not just intellectually superior to other interpretations, but theirs is the ONLY interpretation possible and any disagreements are the result of morally and intellectually defective beings, who are, perhaps, even agents of the conspiracy!
Similarly, conspiracy believers usually declare that every issue or controversy is susceptible to only one correct interpretation and, furthermore, our public policy options are limited to only one correct position, which “coincidentally” always conforms to the conspiracy believer’s personal political preferences.
Typically, conspiracy adherents will entertain questions and comments about their theory only so long as their fundamental premises and conclusions are not challenged. Rigorous critiques are instantly perceived as hostile attacks by hopelessly naïve, ignorant, or “brainwashed” individuals, or perhaps, “smears” initiated by “agents” of the conspiracy who are seeking to “divert” attention away from themselves and thus "waste" time and resources in “pointless” intellectual debates or “disinformation” campaigns.
Furthermore, conspiracy believers are pre-disposed to believing the worst possible motives regarding their adversaries. Consequently, conspiracy proponents often arrive at conclusions without asking their perceived adversaries a single question.
Conspiracy advocates often assert that their fellow countrymen cannot be relied upon to understand events and make correct decisions. Why not? Because they believe that vast numbers of their countrymen have been “brainwashed” and “cannot think for themselves”. In their scheme of things, only conspiracy believers are able to recognize and escape from the clever mind-tricks and ulterior motives of their adversaries.
Further reading:
https://www.nytimes.com/2020/09/28/health/psychology-conspiracy-theories.html
The Complete Guide
To Cultivation
Learn all the basics for success in
growing these valuable plants
CONTENTS
l. Form and
Function
A little theory but not too much
We construct a cultural profile based on form and behavior
II. Methodology
Now down to culture basics
No laundry list of Do’s and Don’ts but a highly integrated
approach
Key issues specific to Pachypodiums are examined in detail.
We examine all factors under our control and how to put them together
in a way that’s right for your growing conditions
Learn How To
Grow Quality Plants Like These Large Perfect Specimens
Pachypodium rosulatum - interesting
twin stem plant. 5 years old grown from seed
.
Pachypodium saundersii compactum - the beautiful
Zimbabwe form. 6 years from seed.
Pachypodiums are some of the most
popular in-demand plants in horticulture today but unfortunately very little
cultural information exists to help the large number of attempting to grow
them. The special appeal of these plants lies in their exotic form and very
beautiful flowers both of which cannot be realized without a sound
understanding of their culture.
You're On
Your Own
Most of the
truly interesting plants usually present us with a challenge on how to care for
them This is part of what makes them rare and interesting. Pachypodiums
certainly fall in this category and require a certain degree of personal
involvement a little beyond the “it’s putting out leaves so I guess I should
water it" level.
This guide
is presented in the spirit of developing a consciousness or greater awareness of
what you can learn from your plants just by trying out sound cultural practices
along with your own ideas and observing the results. All of us possess, to some
degree, the ability to "pick up" on these cultural ideas or we
wouldn't be attracted to these strange plants in the first place. The solutions
to our problems are usually there right in front of us. All that's left is to
train ourselves to see them.
Your efforts
will be rewarded. With a little experience, the end result will be a degree of
independence in solving your own problems. If you want to grow very good plants,
you actually have no choice. Your plants are totally dependent on you for their
care and only you can make the most of them. You are in every sense on your
own.
l. Form and Function
The Two
Schools
Culture
studies can usually be divided into two groups. One school of thought which you
still see quite often is that plants should be grown in a manner that mimics
their habitat conditions. This is a holdover from the early days of the 50s and
60s. The other more contemporary school favors maximizing their potential in
the man-made artificial environments we have set up for them. This will be our method.
What exactly
do we mean by maximizing their potential? Above all else, it means growing
plants that look natural. No plant grown under artificial conditions will ever
look exactly like those found in the wild but in most cases we can come very
close. By the time you finish this guide, you will be to recognize a natural looking
plant.
All plants possess
a genetic make-up which makes them favor conditions similar to those of their
native habitat but when we are growing them under artificial conditions, all
the rules change. It is totally impossible to duplicate habitat conditions but
we do incorporate these habitat preferences into our cultural methods, but only
as one element and not the big picture.
Life Cycle
Good culture
depends on your understanding of the different phases your plants undergo
during the course of a year. When to water, feed, repot. prune, and rest all
relate to an understanding of the basic life cycle of Pachypodiums. It is actually
quite simple follows: Reproduction - Growth - Rest.
Figure 1. Healthy Pachypodium roots
Here in the
northern hemisphere, flowering and hence reproduction for most species begins
in late February and merges with the growth cycle in May. It can take from 4 to
10 weeks for flowers to fully develop on their long peduncles and a slow
process, Most are in full flower in April and May with a few taking until June.
The rest period is from November - January when they will shed most or all of
their leaves as they sleep for three months or longer.
Between
reproduction and rest we of course have growth. Even though all species are
indigenous to the African mainland and Madagascar, which is in the southern
hemisphere where spring normally begins in September, they readily adapt to our
northern biological clock and shift 180 degrees. The only exception is the rare
P. namaquanum which does not have one set growing period in cultivation.
Instead it will bust into growth usually three times per year roughly occurring
in June. October, and January depending on your conditions. Many succulents exhibit
this "confused" state and you simply must play along.
Most
cultivation naturally must take place during the growth period but what is most
critical is not stopping altogether during the rest period.
This is
the number one reason for failure.
Certainly at
this point you have a good idea that there is considerably more to cultivation
than just watering. Pachypodiums must absolutely receive some moisture when
dormant but by not stopping cultivating we mean you can't just forget about
them until spring. All of your observations and attention to keeping conditions
just right must also continue through the winter months. For example: moisture,
temperature, and light levels must be monitored and you need to be constantly
on the lookout for root loss, insects and a fungus that causes tip dieback. These
are just a few.
A Starting
Point
After you
have grown many different types of plants, you easily see cultural patterns or
traits begin to emerge. Often you can just look at a new plant and have some
idea of how it should be treated. This is exactly what we mean by developing a
greater sense of awareness about your plants. It's amazing what you can learn
just from observation and it pays off with superb, not average plants.
In the
natural world form usually follows function, so as a cultural starting point, let's
make a few simple observations of the inner structure and outer form of a typical
Pachypodium. We begin with the way water and nutrients move through the plant.
Pachypodiums
have huge fibrous feeder roots (see Fig. 1) that mop up moisture very rapidly.
In habitat. rains are far and few between so they must act quickly. By their
very size you can see they mean business. Must succulents have much smaller,
hair-like roots.
Most species
have large leaves relative to body size and therefore transpiration is fast and
plants rapidly make food. This is an obvious sign that they require generous
amounts of moisture and nutrients compared to must succulents.
The caudex
or stem is composed of a soft pith structure for water storage with the
vascular tissue lying close to the epidermis as two narrow concentric rings
This enables plants to withstand periods of less than ideal moisture. Next time
a plant is lost, make a cross section and you can see these features.
The
epidermis or outer skin bright and shiny. This highly reflective covering
directs the harsh sun away from the body thereby conserving moisture.
So what does
all this tell us? If we sum it up, we must conclude that Pachypodiums are
relatively fast growers and in general are very opportunistic plants In
habitat. The growing season is short so they must make the most of it. In cultivation
where conditions are so much more generous they really move and this means that
they will make too much of a good thing if given the chance. By comparison,
plants in the wild are held in check by the ever present force of the elements
and have that "natural" compact look so desired.
So our
cultural profile can now be fairly well defined. Pachypodiums can be a little
too robust in cultivation. We can't just let them go their own way so they must
be held in check somewhat. We know that they must have a definite winter rest
and be carefully monitored during this period. By holding them back a little we
certainly don't mean starving them or making them weak. On the contrary, this
will produce the exact opposite result which is a more compact natural looking
plant. Many growing techniques are available to us which will work with this
approach.
II.
Methodology
The big
three: Light. Temperature, and Water form the basis for most discussions on
cultivation. All aspects of growing usually relate in some fashion to one of
these key elements.
What is normally
presented however is a big list of do's and don'ts which reduces cultivation to
a mechanical process with little regard for the relationship between these
primary elements. If you want to be a first rate grower, you must know why you
are doing something. Merely following a prescribed list will take you nowhere.
For example, no one can possibly tell you how often to water. You must
determine this yourself.
Our approach
will therefore be that the three elements Light. Temperature, and Water define
your growing. They cannot be considered separate entitles but are
interdependent parts of your cultural formula. Change any one and the others
must also change.
Light
Requirements
All species
of Pachypodium require strong, hard light. This means at least 3-4 hours of
direct light each day. Direct light is defined as an unobstructed southern exposure.
It does not mean so many hours of sunshine, but only that the exposure not be
blocked by trees. house eaves, or anything that will create shade. Nothing
should come the sun and your plants except the window or greenhouse glazing if
that.
Pachypodiums
grown in low light hardly resemble their true form and are indeed a sad sight
with their etiolated (stretched out) stems and huge floppy leaves. Plants grown
under such conditions become very weak over time and generally fail. The
classic symptom that plants are not receiving sufficient light that the new
leaves will turn black.
Properly grown
specimens will always have what is termed a small internode distance. This is
the distance between the stipular spines. Figure 2 illustrates this point with
two plants of the same species. Notice the distance between the spines is much
greater for the poorly grown specimen on the left while the other is nice and
compact.
Temperature
Maximum
temperatures are usually not a concern as all species will tolerate the very
hot and dry conditions of habitat. Plants grown in greenhouses without proper
ventilation (total inside air replaced once per minute) can easily be damaged. The
first sign of this is the clear sap weeping from the growing apex. This is
permanent damage and branching occurs around such an injury. Quite often,
plants grown in excessively hot conditions will just go dormant.
In cultivation our biggest concern is
the minimum temperature which coincides for duration with the rest period. Due to
the general robust nature of Pachypodiums with some moisture required during dormancy,
a minimum of13°C (55°F) should be maintained while 16°C (60°F) is preferable.
Some will tolerate lower levels but most will not. The Highland reference
collection of seed stock Pachypodiums, consisting of hundreds of plants
including all known species is kept at 18C (65°F).
Figure 2. Internode distance for two plants the same
age of horombense.
Watering
Pachypodiums
are heavy feeders requiring generous amounts of water. This is the main obstacle
for growers new to the genus to overcome. It's a natural tendency to be overly
conservative with watering especially with the rarer more costly species but
the idea should be not how much but when to water. As a good starting point use
this simple rule: do not let containers become dust dry at any time. It works.
Water, wait until it uses what you gave it, then water again.
How can you
tell if a plant has used what you have given it? Pick it up. If the pot feels
light, water it. If you want to call yourself a real plant person learn to do
this. Experienced growers can tell if a plant needs water just by looking. You
won't catch them lugging pots around! Again it's that special sense of awareness
that makes the difference.
Don't think
of watering as an exact science where every drop must be measured. It’s just not
that critical. Make sure your plants are well watered and forget it. More Pachypodiums
are killed by underwatering than everything else combined.
Finally, do
not push anything into the container to test the moisture level. This means
your finger or those dreaded moisture meter probes. Succulents have delicate,
fragile roots and you will only damage them. Pachypodiums are especially
sensitive to this treatment and broken roots can rapidly lead to rotted plants
from this bad habit.
The Dormancy
Dilemma
The most
critical and least understood time in caring for Pachypodiums is the dormancy
or rest period. Most losses occur during this time because plants are kept too dry
and not monitored. It's not that they are difficult and in fact are no more demanding
than most caudiciforms. Due to their very robust nature and general character
of quickly responding to culture, these plants will simply not survive long
periods, i.e. months. with no moisture. Yes some will make it but many will
not.
Dormancy is
a fact of life. Plants gradually move into a rest period in response to dropping
light and temperature levels. You can 't force them to do anything by applying
or withholding water. You simply must give them what they require.
Pachypodiums
just don't sit there like rocks while dormant. You can’t see much happening on
the outside but on the inside transpiration is still going on at reduced levels,
and this moisture must be replaced. They need feeder roots to take up this
moisture so naturally plants cannot be kept so dry that these roots are lost.
This can easily happen and the consequences will not become apparent until
spring when growth commences and plants begin to fail. Plants are failing not
because of what you are doing in April but because of what you did over the
winter months.
So how often
should you water during dormancy? It largely depends on humidity levels, i.e.
how fast plants dry out If you live where it's cool during the winter. Your
house or greenhouse will be dry so one or two waterings per week may be required.
If you live in a mild climate with little heating equipment operating, possibly
once every other week will work. Just water, give them a good dry spell to the
point where the pots feel light. then water again, but do not keep dust dry!
The
relationship between light, temperature, and water should now be coming into
focus. Each certainly is a topic by itself but often it is extremely helpful to
think of them collectively. Solutions to problems can usually be found in the cause-effect
type relations that exist.
As an
example consider the winter situation for growers with no greenhouse. When you
move your plants inside in autumn. you are significantly altering your
environment. If you think of this in terms of the three key elements the most
obvious change is a big decrease in available light It thus becomes crucial to adjust
temperature and water accordingly keeping growth to a minimum and thereby avoiding
ruinous etiolation. Conversely plants must be watered enough to maintain roots
so you can see it becomes a delicate balancing act of providing the three
essential elements in the correct amount.
Root loss
With any sizable
collection you will have a few Pachypodiums each year that lose their roots and
in this condition their survival depends on careful and quick treatment. Signs
to look for are a shriveled caudex. small irregular leaves. Pots that stay wet,
and algae on soil.
Figure 3. The proper removal of roots should be back
to healthy white tissue.
First,
ascertain that the roots are in fact dead. Do not unpot to check this. Disturbing
live roots one of the worst things you can do. Water well and wait 7-10 days.
If the caudex fills back out even a small degree, leave the plant alone and monitor
it carefully until it recovers. It is very easy to make the wrong diagnosis
that a Pachypodium is rotted because the caudex has become soft, only to find
after removing all the soil that the roots are in perfect shape and all it
needed was a good watering. This is especially true in very hot weather when
plants can desiccate in a hours. Usually it takes much longer for a plant to
fill back out than to shrink.
If the plant
fails to respond to your initial watering, unpot and remove all mix. The dead
roots will usually fall away with mix but trim them back to clean white tissue
and apply a rooting hormone. Fig 3 illustrates the procedure where the dead
feeder roots have been removed and the primary roots trimmed back.
Finally, let
things dry for a few days to heal the root tips then pot in straight perlite or
pumice. Place in bright but not direct light and keep evenly moist When new
growth evident. unpot- shake off excess perlite or pumice and pot in your
regular mix It works just about every time. Plants can even stay in rerooting pots
until the next season if it becomes too late in the year to disturb the
delicate new roots. Timing is critical and must always be considered.
Figure 4. Ratio Rule applied to two plants the exact
same age. L-2.5" pot. R-4" pot
Technique: The Ratio Rule
Now that we have the basics down we return to the idea of restraint developed in our cultural profile and explore techniques you can use to keep your plants in check. One of the most effective is the standard horticultural principle called the Ratio Rule. It states simply that for any plant there exists an ideal ratio between its roots, stem (caudex}, and leaves. This is right from Hort 101.
This
principle can be applied to Pachypodiums by restricting root space. In habitat
they grow in cracks and chinks between rocks and this is what gives them their
nice globular character. In cultivation most new growers overpot in the mistaken
belief that you must give your plants plenty of root space if you want them to
grow well. In fact it has the opposite effect as plants slow to a crawl. If
roots are grown out of proportion to the rest of the plant, the growth energy
will be channeled to the branches and leaves and not the caudex ie. the ratio of
roots to stem and leaves is not correct. Plants with a large crown of branches
and leaves but without much of a caudex are usually in a container much too
large in relation to plant size.
Figure 4
illustrates this principle applied to a pair of densiflorum. The nice fat one
on the left is in the correct size container while the one on the right is over
potted. When selecting a container choose one in which the plant will just fit
and move up in increments of one half inch. This technique can be used with
many types of plants and it works! Bonsai enthusiasts use it extensively to develop
big fat trunks.
Growing
Medium
The key
factor for any good Pachypodium mix is light weight. The large roots can simply
push themselves through a light and airy mix easier than a heavy one. A degree
of moisture retention is also required as in any quality medium.
The new
soilless mixes that have been developed for commercial growers the past few years
are excellent. These come in a variety of formulations with the composted bark based
being the best. Few growers today use soil based medium as the results realized
with soilless mixes are so outstanding. You can adjust the porosity of any
soilless product with perlite for an excellent Pachypodium growing medium.
Superior results are obtained with perlite over pumice. Avoid using any mix
containing sand, gravel, or any aggregates. Sand based mixes are heavy,
compact, and suffocate roots.
A
constructive way to think about this subject is that any quality mix will provide
a margin of error in watering. Your plants should be able to withstand short periods
of over and under watering such as outside during summer rains. If you
experience frequent plant losses, you may want to consider another mix no
matter how good you think your current one is. Go slowly and experiment.
A constant low dosage feed strategy is best. Use a commercial brand of fertilizer with trace elements, such as Peters, at one-quarter strength or 50 ppm nitrogen every time you water. Avoid hobby or gimmick brand products. Your feeding program should commence in March and end in October.
Pests
Fortunately
most insect pests are not attracted to Pachypodiums. Most collections will see
the odd breakout of mealybug but difficult pests such as mites and whiteflies
leave them alone. If the need arises for chemical controls. absolutely do not
use petroleum based products. These are labeled "liquid" this or that
such Malathion and are designated emulsifiable concentrate, "EC", or
just “E”. Systemics such as Cygon also fall in this group and are highly toxic
to you and your plants. EC's will severely burn succulents so avoid them at all
costs and use wettable powders and water based (aqua flow} products. It's up to
you to do your homework on the insect you are trying to control and the right
chemical to use for your plants.
The Big Picture
It is hoped
that if you obtain one piece of practical advice from this guide it is that
quality plants are the result of quality cultivation. Just about anyone can get
Pachypodiums to grow even in the worst conditions. Cultivation can indeed be
negative. It's the quality of that growth that is the whole point and true measure
of your efforts.
Consider
this guide no more than a starting point. Use the ideas presented here along
with your own to experiment and observe. You are on your own.
At what times do the hour and minute hands on a clock face become perfectly aligned? Obviously 12:00 is one time. Now think about that at 6:00 where the hands are opposite each other. By the time the minute hand has moved to the 6, the hour hand has already advanced halfway from 6 to 7, and by the time the minute hand moves halfway from 6 to 7, the hour hand has advanced a little more, and so on. At 11:00, by the time the minute hand reaches the hour hand, the hour hand will already be at 12, and the hands will be aligned at 12:00 again. So the two hands actually only align 11 times during a 12-hour period, or 22 times in 24 hours. So the secret then is simply that the hands align at multiples of 12/11ths of an hour, or about 1 hour 5 minutes and 27 seconds. This can be described as T=n x 12/11, where 'T' is the time and 'n' is the integers from 1 to 11. You can see in the table below, the right column has the alignment times, but there isn't one for 11, because it becomes 12.
![]() |
| Tales of the Uncanny by Václav Černy, Zlata Černá, and Miroslav Novák. Published in Czechoslovakia, 1976. https://isbnsearch.org/isbn/060038716X |
The Devil Wedding
Aluda Sazikauli lived at the edge of the village of Shatili.
He had neither wife nor children, his father and brother had been
killed by Kists, and his mother had died of fever during a pilgrimage to the
Cross of Gudan. Aluda took his revenge on the murderers of his father and
brother, provided for the funeral of his
mother, and from that time he lived alone. He was
respected by the villagers, for he was a good hunter and an
amusing drinking companion, who always knew how to add
to the general good cheer with a fine story. “To the Cross
of Gudan,” he would say, “you should
have been with me and now you could
make me choke on every lie you catch me telling. Can I
help it if you are all so unadventurous?”
One day Aluda Sazikauli set off to hunt mountain goat.
There were great numbers of these shy creatures on the
distant mountain slopes. He travelled until dusk and spent
the night under his cloak in a sheltered valley by a spring.
The next day he climbed the bare
mountains. Boulders jutted out from the
rock-face like the teeth of a fairy-tale giant, but not a
mountain goat was to be seen. He crossed over the summit
and descended into the next valley, but again he had nothing
better to eat but bread, cheese, and water from a spring. In
vain did he call on Ochopinto, the
herdsman of the wild animals of the forest. By
late in the afternoon of the third day he had seen
nothing. Then suddenly he saw three nanny-goats and a
mighty he-goat with powerful horns standing outlined
against the sky. Taking cover behind boulders, he crept
close to them, and felled the he-goat with
a single shot. The third night was fast
approaching, and he could not spend the night on
the bare mountainside. He put the mountain goat on his
back and began to climb down the steep slope.
Suddenly in a narrow valley, between the trees, he saw
smoke rising, and before long he came to an extraordinary
building. It was a stone castle made of rough-hewn boulders.
The castle was built right into the hillside and had a
crumbling watchtower. A drawbridge led to a
wooden portico, guarded by twin towers.
The castle was gigantic. Its doors were so huge that a rider
with his spear held high could pass through them,
and two knights in armor could ride side by side along
the battlements.
“To the Cross of Gudan,” said Aluda
Sazikauli to himself. “There are no castles built like this, today.
Our ancestors must have been mighty
men! “
The light was fading and smoke was rising from the chimneys. Singing could be heard from the great hall and Aluda longed for a warm hearth where he could rest his weary limbs. Easing the goat from his shoulders, he called, “Masters of the house!“ There was no reply. He called a second time, and there was no answer. When he was about to call for a third time, the door opened. Dusk had fallen and Aluda thought that his eyes were deceiving him in the gathering darkness. Out of the house and down the lowered drawbridge came a man with seven heads. The heads twisted in every direction and they spoke one after the other in the same voice:
Welcome, guest!
Come in and accept the hospitality of this house!”
At that moment, Aluda realized that he stood before the
terrible seven-headed devil, Baqbaq, whose very name cast fear in the hearts of ordinary men. Aluda was frightened but it was too late to draw back and decline the invitation. “May
the White Rider help me," he thought to himself as he stepped bravely
toward the seven-headed monster.
“I see you are a hunter “ The devil
laughed so heartily that the valley shook.
“I shall call my son to take care of your prey.” He
turned two of his heads and called into the house. The
door opened once again, and his son stepped onto the
drawbridge. He was even more misshapen than his father; he
had three legs and his arms brushed the ground.
“This is my youngest son, Forest-Howler,” said Baqbaq.
“My son, take our guest into the hall.”
“Come in, my guest,” Baqbaq turned to Aluda. “You are not
the only one who will be feasting under my roof tonight. We
are celebrating the marriage of my daughter, Three
Eyes-beautiful Eyes. I am sure you have heard of her.”
Aluda was terrified but all the same he smiled politely and
followed Baqbaq and his son into the castle. They passed
through an anteroom and entered the great hall. A cauldron
hissed and steamed above a great fire that roared in the
hearth. The guests were sitting on benches
along the walls, and they fell silent as
Baqbaq led Aluda inside.
“Our house has been honoured by a new guest,” said Baqbaq, “a Khevsur hunter. I don”t know your name, guest,”
he turned to Aluda, “but I see by your weapons that you are
a brave man, and a mighty hunter.”
Aluda turned a little pale, but his host continued:
“You may put your weapons aside, because you are safe in
my house.”
Aluda drew back a pace, but he was instantly surrounded
by hideous claws that reached out towards him. “Entrust me
with your gun and scimitar, so I can hang them in a place of
honour.” It was Baqbaq’s middle son, Mangy-Polecat who
spoke. Reluctantly Aluda placed his gun in one of the claws,
even more reluctantly he unbuckled his scimitar and put it
in the second claw, and then the third
claw seized him and stood him in the centre
of the room.
“Allow me to introduce my guests, Khevsur,” said Baqbaq.
“I am sure you have never met any of them before.” Baqbaq
laughed in all his seven throats, and the company joined him until the rafters shook with their
roaring. It was, indeed, fine company. There
were fewer of them by far than there were heads; they
stared at Aluda out of many eyes; they stretched out
so many arms that Aluda thought that they could have
taken Ananuri Castle apart stone by stone before he could
count to five.
“You should tell us your name, guest,” said the ghastly
Thundershaker, who was presiding over the wedding feast,
“so that the bride and groom may later remember this day
with pride,”
Aluda Sazikauli hesitated. If he told them his real name
they would come to visit him and the rest of the villagers
would avoid his house in horror. He would become an
outcast in his native village, and mothers would frighten
their children with his name. He made up
his mind to lie to them.
“My name is Seven-Devils-Enemies-of-the-Gods,” he said.
“You have a strange name for a Khevsur,”
said Thundershaker in surprise. “I have met a great many of your
fellow countrymen, and they had all sorts of names, but I
have never heard of anyone with a name
like yours. We know that Khevsurs swear to
the Cross of Gudan. You ought to do so now, so that we
can believe you.”
The rest of them joined their voices to his until an
indescribable uproar set in.
“To the sock on the gam, my real name is Seven-Devils-
Enemies-of-the-Gods,” Aluda hurried with his response
before the noise had quietened. No one heard him properly,
and so everyone believed him.
The master of ceremonies then called for silence. He delivered a toast and handed Aluda a goblet of arrack. The goblet was as big as a warrior’s helmet, but without batting an eyelid Aluda drank it all. The devils growled in admiration and Thundershaker called out:
“Bring me the cauldron and I shall give our guest a portion of honour!”
At once Baqbaq’s sons jumped forward and handed him
the huge, steaming cauldron from the fire. Thundershaker
fished something out onto a dish. Forest-Howler knelt down
beside Aluda and placed the dish before him. Aluda saw that
the dish contained a human head. He blenched and his hands
began to shake; he tried to swallow but his throat was dry
and he felt nausea rising in his throat.
Baqbaq was watching Aluda’s expression intently, and he
guffawed with all his seven mouths:
“It seems you do not feel well, guest. Surely you do not
mean to say that the food I offer you does not appeal to you
?
“Actually, I have lost my appetite today,” lied Aluda. “I
tired myself out with my long journey, and
your portion of honour seems a trifle
too rich for my stomach, weakened as it is with hunger.
If you would not be offended, I would prefer some cheese
which I brought with me.
All the demons present began to bawl at the top of their
lungs, but it appeared they were not offended by the
refusal. On the contrary, they were bubbling
over with sympathy, and each was
recommending his own proven remedy against nausea.
“The best is snake’s bile,” screamed a toothy goblin from
the corner.
But the seven-voiced Baqbaq shouted the rest of them
down: “Give him a vat of beer, that will restore his
appetite.”
Everyone agreed and at once they brought a full vat. They
held it to his mouth and poured the beer into him until he
thought he would drown. With all his might he pushed
Forest-Howler away who thought Aluda wanted him to pass
the vat around the circle. The demons drank, a river of beer
gurgled down their throats, and soon they had to bring
another vat. The beer tickled their palates, and they began
to pat their furry bellies, and all at
once they burst into their own wedding song:
“Ho, ho, hyde,
We have a bea-oo-tiful bride.
She’s lovely and furry from head to toe,
Hunchbacked, warty and pigeon-toed.
The bridegroom comes from far away,
And he’s even furrier, hey, hey hey!”
When they thus reminded themselves of the bride,
Thundershaker bellowed out once more:
“Show our bride to the guest, for that is our custom. He is
a human and he will spread tales of
her beauty among his people.”
They all agreed, and as one body they led Aluda to the
bride’s chamber. There sat Three Eyes-Beautiful Eyes
surrounded by her bridesmaids. She was not as hideous as
Aluda had feared, in fact she would even be quite comely if
she could only hide her third eye.
“Be in good health, beautiful bride,” Aluda greeted her.
“Never did I see a more beautiful devil bride. I never would
have thought that devil maidens were so beautiful.”
“I like you too, guest,” said Three Eyes-Beautiful Eyes, and
when none of her bridesmaids were looking she added: “You
are almost as fair as I, and fairer by far than my groom.
You are no doubt courageous and they
told me you are a good hunter. I am sure
you could support a loving wife and a family of
devil children. Kidnap me!”
“How could I dare to do such a thing?” Aluda protested. “I
would insult the house in which I was made welcome, and I
would make blood-feud enemies out of my friends.”
“But you said that I appealed to you, and I want you,” Three
Eyes-Beautiful Eyes stamped her foot stubbornly. “I shall
order my maid to saddle a horse secretly and you will kidnap
me.”
Aluda refused, he resisted, why he even tried to run away,
anything to escape from this two-fold danger, but all in
vain. Three Eyes-Beautiful Eyes snatched
him up and tucked him into her sewing
basket, and then she whispered something to the
hideous old woman who was her maid. In a little while she
released him and took him out into the courtyard and through
the wicker gate, into a pasture where a saddled horse stood
waiting.
At that moment joyous shouting burst out from the front
of the house. The groom had arrived to claim his bride.
Aluda was scared beyond thinking. What was
he to do? He could see no way of escape.
Before very long the wedding guests would discover that the
bride had disappeared, and he with her. They would
pursue them both, and he had no means of fighting them.
And even if he did manage to escape how could he live
with a wife like Three Eyes-Beautiful Eyes?
Three Eyes-Beautiful Eyes, noticing his dejection,
snuggled up to him and said: “You
kidnapped me and I can never return to my father’s
house. But I shall defend myself with you and if worse comes
to worst, I shall die with you. For didn’t you say that you
were fond of me?”
From the house came the wailing of the bridesmaids, and
the terrible roar of the frenzied wedding guests, and above
it all the dreadful voice of the
insulted bridegroom thundered out:
“Who has kidnapped my bride?”
“Seven-Devils-Enemies-of-the-Gods,”
answered all the demons at once,
one louder than the other.
“Even if there are fourteen of them, or even twenty-one,
swore the groom, “not one of them will escape me. I shall
tear every one of them into a thousand
pieces!”
Aluda tried to hide behind a boulder, comforting himself
that they might overlook him, but Three Eyes-Beautiful Eyes
misunderstood his intention; she leaned against the boulder,
for she thought he wanted to roll it down on the house. She
wrenched an enormous crag out of the mountain-side, and the
crag went surging down towards the house below with a
deafening roar, tearing down everything in its path. Then
she snatched Aluda under one arm, the
horse under the other and bounded up the
mountain slope.
When the crag crashed into the castle below, caving in the
walls, the devils set up a terrible howling. Only the groom
lost no time and stormed after the
runaways up the mountainside.
“Ha, now I”ve got you,” he called out behind them in a
thunderous voice. “Stand still, all seven of you!”
Three Eyes-Beautiful Eyes set Aluda and the horse down
and leaned against another boulder. In the dark she could
not see who was where, and the devils could
not see her.
By the sound of the shouts, though, it was apparent that
they were not far behind them. Three Eyes-Beautiful Eyes
rolled another boulder down the mountainside and the groom
roared out in rage and in pain.
“What is the matter with you?!” asked Baqbaq’s seven
heads.
“Nothing, but I am becoming more and more cross!” said
the groom, not wanting to confess pain in front of his
father-in-law.
And the narrow valley replied to his thunderous voice with
the echo:
“Cross… cross… cross…”
“Ha, there is that Khevsur,” said the devils who were higher
up the mountain. “He’s swearing to Gudan’s Cross!” And
they started to topple boulders down in that direction.
Those who were lower down picked up rocks
and pelted them uphill, all of
them bellowed, those who were hit roared out, rocks
rumbled and trees cracked. No one knew who was fighting
whom in the confusion.
Aluda took his chance and jumped up on the horse and
started out on the narrow sheep trail along the mountain
precipices quite unmindful that with every step he could
break his neck, while the devils battled amongst themselves
mercilessly. Perhaps they all truly believed that their
adversaries were enemies of the gods, or perhaps in their
boundless rage they wanted to revenge themselves on their
comrades for the blows they had received. Who can say?
Suddenly, the voice of Thundershaker boomed out Of the
valley:
“Ho, ho, not one of you will escape ! I know what I shall do”
He stepped up to the side of the mountain, leaned his
mighty shoulders against it, braced his feet against the
opposite precipice and leant so mightily that the side of
the mountain cracked and collapsed, its
peak tore off and buried the entire
valley. For miles around the earth shook, the mountains
twisted, and in the fissures new valleys appeared.
And from that spot where the terrible horde of devils lay
buried, there rose a column of dust and acrid smoke as if
from burning limestone.
But by then, Aluda was in safety. At that very moment he
was crossing the mountain pass, and carefully he guided his
horse through a narrow gorge between two escarpments and
down into the valley which he knew well.